- From the Publisher
- Ford’s Theatre Ticket Voucher
- A Cup Half-Empty
- Who Were the Lincoln Life Guards?
- Kepi Controversy
- Primary Source Material: Manuscripts
- Overlooked Evidence: Lincoln in Pioneer Chicago
- “THE UNION Is DISSOLVED” The Charleston Mercury Broadside: Points of Authenticity and Variations
- Lincoln Letter Fraud on Ebay
- What He Really Thought of Lincoln: The Discovery of an Unpublished Letter by William F. Herndon
- The Sanitary Fair’s Gifts to President Lincoln
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- The Annotated Lincoln
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- Lincoln’s Code: The Laws of War in American History
- “Lincoln” Hits the Screens
- We Have The War Upon Us: The Onset of the Civil War, November 1860-April 1861
- Homefront & Battlefield: Quilts and Context in the Civil War
- President James Buchanan and the Crisis of National Leadership
- Giant in the Shadows: The Life of Robert T. Lincoln
- Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President.
- Abraham Lincoln: The Image of His Greatness.
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- This daguerreotype looks like Lincoln, but is it Lincoln?
- What Is Lincoln’s Embalmer Worth?
- New Lincoln Stuff on the Market
- Rail Splinters
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- A Worthless Ribbon and a Worthless C.O.A.
- A Note from the Great Beyond
- ‘A. Lincoln’ Money Pit
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- “Ay, tear her tattered ensign down”
- Legit and Illegitimate Theater: The Ford’s Theatre Ticket
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- Twice As [Not] Nice
- These Have Age, But Not Enough
- The Real and the Unreal
- Great Finds!
Homefront & Battlefield: Quilts and Context in the Civil War
Madelyn Shaw and Lynne Zacek Bassett. Lowell, Massachusetts, American Textile Museum, 231pp, 2012.
As collectors, many of us have vintage textiles in our collections, be they ribbons, bandannas, banners, or badges mounted on rosettes. These are but a small subset of the many items produced in the Civil War period, including quilts, military uniforms, articles of civilian clothing, bandages for the wounded, etc. This book deals with the importance of textiles in 19th century America, primarily from a homefront perspective and how they reflect on the socio-economic characteristics of the people. The conclusion of the book gives a succinct summary of the author’s goals: “For those who were not writers… the objects they saved and handed down to their descendants must serve to tell their stories. These objects may not be as immediately understandable to us 150 years later, but in their own way, their eloquence is equal to words inked on paper. The quilts, embroideries, clothing, and personal and political artifacts illustrated in this book do not merely reflect the ideas and words of a privileged elite, but embody the experience of individuals of every color and place in the social hierarchy. Perhaps they can help facilitate a new narrative of the nation’s identity, connecting Confederate and Union, homefront and battlefield, and generations past and present.”
The book is meant to complement an exhibition of Civi War related textiles currently being shown at the American Textile History Museum in Lowell, Massachusetts (ending November 25th). It will then move to the New-York Historical Society (April 4 through August 31, 2014), the Shelburne Museum (September 20th 2014 through January 1, 2015) and finally the Nebraska State Historical Society (February 1st through June 1st 2015). The ATHM is a division of the Smithsonian Institution.
While the text covers the period 1820-1920, the primary focus is the Civil War. There are seven chapters and a glossary of textile terms at the back of the book. Given its connection to the traveling exhibit, the book is extensively illustrated with examples of artifacts drawn from institutional and private holdings. There seems to be a fairly even distribution between text and illustration. Some of the chapters include essays or articles submitted by experts in a particular field.
The authors do an excellent job in objectively describing the issues of the time, as seen through the writings and works of ordinary people. They point out the fallacies of traditional stereotypes of the Civil War, helping to fill in some of the nuances. These include the divided loyalties, the involvement of the North in the cotton trade, the transplantation of populations from North to South and vice versa and the lack of homogeneity within regions, often based on economic interests.
We noticed some minor errors, including referring to Henry Clay as the “Mill Boy of the Traces” (rather than the “Mill Boy of the Slashes”), calling ambrotypes “daguerreotypes” and saying that Franklin Pierce supported the Confederacy (it is our impression that he was fairly apolitical once leaving office and did not express his political viewpoint publicly). In any event, we found the book very interesting. enjoyed the background information on the illustrated objects and thought that the “ordinary person” perspective was most refreshing. Whether you are able to view the exhibit or not, the book remains a worthwhile effort on its own.
NOW AVAILABLE FROM THE RAIL SPLITTER PRESS:
Book Review Archive
- Act of Justice: Lincoln’s Emancipation Proclamation and the Law of War.
- The Dark Intrigue: The True Story of a Civil War Conspiracy.
- President Lincoln: the Duty of a Statesman.
- Lincoln’s Men: The President and His Private Secretaries.
- The Lincoln’s: Portrait of a Marriage.
- The Madness of Mary Lincoln.
- Lincoln the Inventor.
- Lincoln and New York.
Rail Splinters Archive
- Stereo view photographs of Abraham Lincoln statue damaged in 1906 San Francisco earthquake
- Lincoln in Film
- John Wilkes Booth? Probably not.
- Answer to the question “Whatever became of the Gillett collection?”
- What happened to the Gillette Collection?
- This Train is Bound for Glory
- Lincoln Ballots 1834-1864
- Lincoln Museum in Boise
- Lincoln at the Abolition Ball
- Where East Meets West
- A Prince of a Guy
- In Memoriam: C. Peter Scanlan
- Portrait of Lincoln Legal Associate Unearthed
- Thomas T. Eckert Archive: Telegraphic History of the Civil War
- Beethoven’s medium channels news of Lincoln’s Death by composing “The Funeral March”
- Where is Mary Todd Lincoln’s 1861 Inaugural Ball dress?
- The Meatball does The Sauceman (and The Rail Splitter) proud
- Lincoln “apparently not” a sexist
- Campaign woodcuts in illustrated magazines, symbolism or adornment?
- 1890 Wide-Awake Reunion program
- Baltimore Coin & Currency Convention Highlights
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